A superb musical alchemist, Peter Eldridge synthesizes modern jazz with not only pop but also R&B and Latin music. The results are varied and dynamic but also aesthetically focused, as Eldridge's mellifluous baritone and urbane lyrics brim with pop accessibility. - John Murph, JazzTimes

Peter Eldridge belongs in the celebrated tradition of melodic poets, most famously represented by such disparate voices as Stevie Wonder, Paul Simon, Joni Mitchell, James Taylor, and Steely Dan -- singer/songwriters who write catchy, beautiful tunes with insightful lyrics that are both personal and universal. - Judith Schlesinger, All Music Guide

Eldridge invests in his songs with remarkable poetry, beauty, charm and depth to spare. - David Pulizzi, Jazziz

It wouldn't necessarily be inaccurate to refer to Peter Eldridge as a 'singer-songwriter,' but that tag definitely does not fit him. Such a label just undercuts the creative brilliance behind his music, diminishing the beauty, truth, strength, wit, and compassion in his work. The man is far more than a simple spinner of songs. His is the true voice of understanding, speaking on its own terms while also capturing and expressing the emotions that we all feel. If ever there was a singular artist capable of showing us the singularity in ourselves, it's Peter Eldridge. - All About Jazz

If musical intelligence and artistry were prompters to marketplace success, Decorum would grant him stardom. . . strong, far-ranging voice . . hauntingly wistful - DownBeat

(Somewhere) …sophisticated arrangements…It’s lush without being stuffy and always classy…Peter Eldridge’s baritone timbre, used with elegant delicacy, greatly enhances this impression…clever and distinguished music… – Yves Dorison, Culture Jazz 

Peter Eldridge can sing blues with great conviction, swing with great ease, caress a ballad with the best, and on his newest 'Disappearing Day', seems to have no fear taking chances with his music. - Step Tempest

His fifth studio album, Disappearing Day, with its strength in songwriting and almost tongue-in-cheek lyricism, moves his music from its deserved pedestal in jazz further into genre-blending uncharted territory- FoundSound

Disappearing Day’—Eldridge’s fifth album to date—is an out-and-out masterpiece. It delivers a dozen of the most spellbinding tracks you’re likely to encounter in 2016. His is the true voice of understanding, speaking on its own terms while also capturing and expressing the emotions that we all feel. If ever there was a singular artist capable of showing us the singularity in ourselves, it’s Peter Eldridge.   – All About Jazz 

Mad Heaven showcases Eldridge as a major player in vocal jazz, an artist of extraordinary depth and conviction -Jazz Review

I am listening to Peter Eldridge’s new record, ‘Disappearing Day’. I am grinning like a fool as each new sonic joy unfolds. The instrumentation is precise, landscapes neatly drawn, each song carefully and perfectly embraced and enhanced. There’s just no category for what Peter does.
It’s simply exquisite, timeless work.   
 Jonatha Brooke 

Peter Eldridge’s ‘Disappearing Day’ is refreshing, authentic music delivered straight from the soul. The rich harmonies and gorgeous production highlight his smooth, effortless vocals, masterful poetry, and gorgeous piano accompaniments. I’m inspired that this kind of music is still being created.  – Becca Stevens 

The debut album by Moss was named one of the best CDs of the past decade - Downbeat.

(MOSS) This jazz vocal supergroup has just created the greatest vocal fusion of jazz, rock and folk music since the first record by Bobby McFerrin 26 years ago.... It's as if they invented an entirely new blend of urban madrigalism for the 21st century, composed of coffee shop, jazz club, off-Broadway theater and church basement.  - Jeff Simon, Buffalo News 

Innovative vocal ensembles are a rare breed, and Moss is sui generis.  Their superbly attuned voices weave vocal tapestries plush as velvet, mysterious as photosynthesis, nuanced as clouds, yet simple as greens... as uncategorizable as it is enchanting.  - Fred Bouchard, DownBeat 

(MOSS)...soul stirring , majestic, comforting, inquisitive, hypnotic and wise.... their beauty is ultimately intangible. 
- Christopher Loudon, JazzTimes

REVIEWS Somewhere

 Matt Micucci, July 2019

10 Albums You Need to Know

a sound that pairs timeless romanticism with sophisticated modern harmony in a program of classic standards and clever originals….


Editor and Publisher

Somewhere: A romance album right in the pocket of the classic Sinatra/Cole/Mathis ballad albums with piano and voice front and center backed by some of the lushest orchestrations this side of Jackie Gleason. The overdue joining of two pros that know how to hit stuff like this out of the park in their sleep, this is the tap to turn on for some instant sophistication that really works.  Well done.


...a ballad-centric project that brims with exceptional originals...striking...

Dan Bilawsky

4.5 stars

Eldridge's deep thoughts, daydreams and perambulations prove profound. He opens his heart for all to hear, laying it atop beds of elegant design….
Peter Eldridge and Kenny Werner have each triumphed in myriad settings over the years, but together they serve as architects of rare beauty. Somewhere 
doesn't simply present songs. It suggests
life, with all of the joy, pain and promise that come with it.

Creative Music and other forms of Avant Garde

REVIEWS  Peter Eldridge & Kenny Werner: Somewhere  by George W. Harris • July 8, 2019

Pianist Kenny Werner has been plunging into deep waters on his latest few albums. This time around, he teams up with gentle toned vocalist Peter Eldridge in a mixture of originals and standards, teamed with luscious and dreamy atmospheres.

Along with Werner, Eldridge is framed by a jazz team of Yoron Israel/ Matt Aronoff/  and The Fantastical String Orchestra conducted by cellist Eugene Friesen. The result is soft pastels of piano segueing to voice and strings on material such as the deep “That Which Can’t Be Explained” the elliptical “Minds OF Their Own” softly brushed “Untitled Lament” and long shadowed “Difficult.” George Garzone brings in his tenor for a   hip and thoughtful “Ballad For Trane” while Eddie Arnold’s “You Don’t Know Me” sounds gloriously sorrowful. Their version of the famed Bernstein title track is part of a dream-like medley that ties together with “A Time For Love,” but starts off with a heart on sleeve duet between the two gents. Eldridge and Werner went for deep purple hues on this one, and it works wondrously.